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Holiday Havoc 2016

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Blink 182

Since their humble beginnings twenty-four years ago, when they started playing in a San Diego garage, ‘blink-182’ have sold over fifty million albums worldwide and rocked audiences from Adelaide to Zurich having become one of the defining rock bands of their generation. They combine high-energy dynamics with an artistic ambition that transcends any genre.  Now with Matt Skiba (of Alkaline Trio) joining ‘blink-182’ as singer/guitarist, the group starts a new chapter. Skiba debuted with ‘blink-182’ in March 2015 with a live performance at the MusInk Tattoo and Music Festival: “It was the best they’ve sounded in over a decade,” the OC Weekly raved about the band’s set.
While ‘blink-182’ have already racked up more than their fair share of platinum records and blockbuster singles, they’re emphatically looking forward to their seventh studio album. “This is the next step for us—it’s not a stopgap and we’re not punching a clock,” Hoppus emphasizes. “We’re not just a greatest-hits band, although we will play the hits. Blink is alive and well and we’re excited about doing cool new stuff “It feels just like the old days, spending 14 or 16 hours in the studio until 2 o’clock in the morning, blasting the latest rough mix of a song as you drive home excited and exhausted, waking up and the band is the first thing you think of in the morning and then working all day on it. Every day in the studio has been a lot of fun.”  According to The New York Times, “No punk band of the 1990s has been more influential than ‘blink-182’.”

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Jimmy Eat World

Before Jimmy Eat World entered the studio to record their ninth full-length album, Integrity Blues [RCA], the members of the multiplatinum Mesa, AZ rock band did something they’ve never done in over two decades.
“We took a little break,” smiles lead singer and guitarist Jim Adkins.
After a successful 10th anniversary tour revisiting Futures, the musicians briefly went their separate ways at the end of 2014. Adkins released a series of 7” & embarked on his first worldwide solo tour, Lind released an EP and toured with his wife in The Wretched Desert, Linton took up boxing, and Burch opened up CaskWerks Distillery in Arizona.
When the band reconvened in November 2015, they teamed up with producer Justin Meldal-Johnsen [Paramore, M83] and began sifting through ideas.
“I came to a realization,” admits Adkins. “In the break, writing was a little trickier. I wanted to change things up. So, instead of writing about a problem, I wanted to write about a solution. If you look at your life for what’s going wrong, it won’t be too hard to find things. If you start looking at what you have rather than what you’re missing out on, you come away from things with a much different perspective that’s a lot more grateful and positive. As an album, Integrity Blues is about trying to overcome that personal struggle instead of getting upset with what life could be that it isn’t.”

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Pierce the Veil

Since 2006, Pierce The Veil unassumingly, yet consistently have climbed their way into the hearts of millions worldwide via an unshakable devotion to making honest and hypnotic hard rock. The San Diego quartet—Vic Fuentes [vocals, rhythm guitar, keys], Mike Fuentes [drums, percussion], Tony Perry [lead guitar], and Jaime Preciado [bass guitar]—staunchly uphold that tradition once again on their fourth full-length album, Misadventures [Fearless Records].
We went into making this record wanting to top the last one, something we try to do with every record,” said Vic  “We wanted to make one of the best-sounding records out there as far as quality goes,” said Vic.  “We weren’t going to stop until we achieved that.”
“We wanted everybody to shine on the record,” added Jaime.  “It was important that each member stood out.  It was about going with a broader listening range and expanding on what we’ve built.”

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With an average age of 19, the members of Weathers —  lead singer/rhythm guitarist Cameron Boyer, guitarist Cameron Olsen, bassist Brennen Bates, and  drummer Cole Carson — are part of the post-Millennial Generation Z: Social media-saturated kids who grew up in an insecure post-9/11 world and raised by financially stressed parents affected by the economic downturn. It’s no wonder that a skeptical, unsettled mood permeates the songs that the Los Angeles-based band has written since they officially became Weathers in October 2015.
Weathers’ darkly tinged, guitar-driven alt-rock songs like “Happy Pills” and “American Dream” paint a vivid picture of young people who “can’t function without weed” struggling not only to find jobs, but also an identity. “Happy Pills” is an ironic indictment of dependency, as is “Sucker,” which posits that lust for another person can be just as destructive as a lust for money or drugs if you’re not confident in yourself. And “Brass Knuckles” is a warning not to go through life unprepared so you don’t become reliant on anything or anyone. “It’s a wake-up call to toughen up,” Boyer says. But despite the social commentary, Weathers’ songs are ultimately filtered through the band’s deeply personal lens. They are singing about themselves, their peers, and the characters they’ve met along their journey to becoming a band. In the songs, Weathers long for authenticity; for people to look up from their phones and make a real connection.

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The Hunna

Making their official debut in October of 2015 with their first single, “Bonfire,” the UK four-piece’s rise has been nothing short of meteoric who signed to Lyor Cohen’s 300 Entertainment – the band were the first UK rock act on the roster. By the time their second single, “We Could Be” was unleashed, The Hunna had sold out 3 nights at London’s Boston Music Rooms and their music was making waves in the iTunes and Spotify charts on a global scale.
With only a handful of songs under their belt, The Hunna quickly amassed a massive fan base that has generated over 11 million video streams and their infectious sonic bombast has caught the attention of buzzy US tastemakers like Consequence of Sound, NYLON, Billboard and more. The Hunna continued to capture audience’s hearts with their enigmatic live show when they arrived in the States for a tour in June, playing to sold out audiences in major markets like New York City, with additional shows in Chicago, Los Angeles and more.


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Is an American rock band formed in Los Angeles, CA in 1992, currently consisting of Rivers Cuomo (lead vocals, lead guitar), Patrick Wilson (drums), Brian Bell (rhythm guitar, backing vocals, keyboards), and Scott Shriner (bass, backing vocals).  Weezer has sold 9.2 million albums in the U.S., and over 17 million records worldwide.  Their catalogue has included such megahits as “Buddy Holly,” “Undone (The Sweater Song),” “Say It Ain’t So,” “El Scorcho,” “Hash Pipe,” “Island In The Sun,” “Beverly Hills,” “Pork and Beans,” and more.   Weezer has won Grammys, MTV Video Music Awards, and more throughout their career.  In 2016, Weezer released their tenth studio album, Weezer (The White Album), a self-proclaimed beach album that debuted at #1 on Billboard’s Rock/Alternative chart, and top 5 on the Billboard 200 chart.   The band then embarked on a massive, two-month summer tour playing to  half a million people across the U.S.

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Turns out that a big mess can actually be a good thing. In the case of Grouplove’s third studio album, Big Mess refers not only to a lyric in the buoyant lead single “Welcome To Your Life,” but also to the situation in which they found themselves when they got off the road following 2013’s Spreading Rumours. For the first time since releasing their breakthrough 2011 debut, Never Trust A Happy Song, Grouplove were back in Los Angeles indefinitely, with a lot of catching up to do. “We got off tour and realized we had been completely neglecting normal life,” says singer and keyboard player Hannah Hooper. “We were out of touch with friends and family, our house looked like we were hoarders — it was like an explosion of so much at once.” In the midst of it all, Hooper and Grouplove singer/guitarist Christian Zucconi, who have been a couple since the band’s inception, found out they were going to have a baby. Like the true pair of artists they are, Zucconi and Hooper viewed the chaos as an opportunity to be creative. “We felt so out of control. Instead of trying to deal with the mess, we just started writing,” Hooper explains. “We had so many songs come out of that, and Big Mess is a collection of our favorites.”

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 Catfish and the Bottlemen

The most exciting new guitar band to burst through in
the UK is Catfish and the Bottlemen. Their debut
album, ’The Balcony’, written by charismatic front
man Van McCann, is heading for Platinum status in
the UK, with all of their singles getting back to back
playlists and heavily rotated plays at National Radio.
Catfish and the Bottlemen were awarded Best
Newcomer at the 2014 BBC Music Awards, and went
on to feature prominently at many UK Festivals
throughout the summer of 2015, then capping a
whirlwind year with an extensive UK tour in November
which sold out, over 40,000 tickets in under 10
minutes. Over the Atlantic they also didn’t stop.
Touring consistently, they were announced as the
number 1 new artist in America by Billboard
Magazine and the single ‘Kathleen’, becoming a firm
favorite at alternative radio. A huge summer of USA
festivals is guaranteed.

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Saint Motel

Passion for eclecticism has always been at the heart of Saint Motel, a band founded by Jackson and guitarist Aaron Sharp: film-school classmates whose longtime friendship had its roots in a shared appreciation of obscurist cinema and mutually adventurous musical tastes that include everything from Imperial Teen to Beethoven’s 7th Symphony, 2nd Movement. After bringing bass player Dak Lerdamornpong and drummer Greg Erwin into the fold, the band released their debut EP ForPlay in 2009 and began hosting a series of “experiential concerts” with such themes as Zombie Prom and Judgment Day. “We played in half-pipes, semi-trucks, circuses—pretty much anywhere we could,” says Jackson. “We just wanted to do what we could to push ourselves beyond our comfort zone, and give people some kind of big, crazy experience whenever they came to see us.”

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The Moth and the Flame

Intimately tucked between The Moth & The Flame’s trembling synthesizers and compellingly bravado vocals rests a component that syndicates the band’s evolution together at its core: steadiness. With precise details and intentional steps, The Moth & The Flame walks a line between mass appeal and artistic integrity.  Their new album, Young & Unafraid, mingles the spontaneous and relaxed approach the band previously took when recording with a deliberate and gauged plan to cross new barriers. The Moth & The Flame impeccably balances the coziness of knowing where they’ve come from with the aspirations of where they want to be.  Leaving behind their Provo, Utah home, the band moved to Los Angeles and let their emotions marinade in the mix of Young & Unafraid, an album that is a culmination of the different times in their lives throughout the recording process.

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Resting confidently within layers of synthesizers and demonstrative drums, The Decades EP, the debut release from Denver, Colorado based 888, rests a poignant and reoccurring message- “Don’t give up.” Throughout the course of the infectious Alternative-Electro EP, road-tested frontman Danny Stillman repeatedly reaffirms the significance and impact of staying the course. Regardless of life’s accomplishments and catastrophes, the band, rounded out by (keyboardist) Aaron Rothe and (drummer) Danny Cooper, defiantly accentuate the importance of continuing on. The Decades EP opening track and lead single “Critical Mistakes” professes “Come wake me up before I die and never get to live,” before adding “let the tide wash away my critical mistakes”. Unwilling to rest easy, 888 is pushing forward and reaching for more.

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